If none of this bothers you, though, you'll find it probably ranks highest on the release-of-tensionometer. At least in Virtue! Cop they content themselves with having polygons slumping to the floor. It's supposed to be cartoon violence, but the game's so obviously set in the real world that it might be a little unsettling for some. Shoot someone from close-up and they disappear completely in an explosion of blood. You could certainly argue that there are elements which are too over the top, though. I Again, there are power-ups: shoot the right stuff and you'll be unleashing terrible devastation with Cexplosive shotguns', rocket launchers and any number of machineguns. Who'd want your genes anyway? I don't know why that nice Mr McClane even bothers to shout an apologetic, Sorry, pal. But let's face it, if you're stuck behind a counter with a gunman who keeps jumping up to take pot-shots at trigger-happy McClane, and you're stupid enough to alternate with him by jumping up, waving your arms and shouting, you deserve to die. That goes for people, too - terrorists are fair game, of course, but cops and passing tourists aren't. Except unlike in most games of this sort, you can shoot anything and bits fly off it or it explodes - from the cop cruisers in the airport carpark, to the shop frontages around the check-in area, to the bits sticking out of the runway buildings - everything that's there can be shot. The second game takes the form of a first-person viewed shoot 'em up on rails, a la Virtua Cop. But I went back and checked the psx version and it definitely seemed more 'roomy'. Of the three games, this looks least like the psx version for some reason, you can't seem to see as far ahead of you as you can in the original - obviously something of a handicap in a game of this sort. Mostly you'll find yourself hiding behind scenery, and popping out to shoot people in the back of the head. But they also don't 'see' you if you hide, or they're facing another direction, so there's room for a bit of tactics. The terrorists can be intelligent, splitting up to enter a room by two different doors. There are also bonuses on normal levels, such as if you manage to take out a terrorist using a human shield without harming the shield, you'll get a bonus life. There are bonus levels, where you have, for example, to dash about on the roof, escorting hostages to a helicopter. Each level also has a number of power-ups: larger guns stun-, smoke-and high-explosive grenades protective clothing and various foodstuffs (which provoke a burp that sound like there's a bull sea-lion in the room). Given that many of the levels are extremely complicated, and there are often a number of possible exits, this can be frustrating. the bomb on each level counts down and you have 30 seconds to remember where the exit is before the bomb goes olT. Each one that gets out alive brings bonus points shooting them because you don't like the way they walk loses you points.
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Basically, you shoot every terrorist on each level and try to free all the hostages, who then make their way to the exit. Unlike the film, there are approximately six million of them, you have limitless ammunition, and you have to work through one of the 2o-odd levels at a time. Just like in the film, you're trapped in an office block in a grimy vest, with a bunch of foreigners who plan to steal millions of dollars from the security vaults while pretending to be terrorists. Die Hard is a third-person viewed shoot 'em up. Die Hardĭie Hard Trilogy, much-loved on the PlayStation, offers you three potentially cathartic experiences. On the other hand, taking a pretend gun and shooting the crap out of thousands of pretend baddies is a cathartic experience that could only be matched by stacking Noel Edmonds, Jim Davidson and Richard Madeley horizontally on top of each other and stamping the face of each one into the head of the one beneath. It's the same with those bizarre odd-shaped rubber squeezy things - you just get really tense, as you squeeze and squeeze, until so many veins arc standing out in your forehead it looks like a three-dimensional model of the Amazon basin. as the need to shred every single one becomes an obsession, and the release in bursting them proves to be inadequate. Most supposedly tension-relieving devices actually rarely do what they claim: sit bursting a sheet of bubble-wrap and you can find yourself getting more and more pent-up.
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